Showing posts with label Balraj re-entry. Show all posts
Showing posts with label Balraj re-entry. Show all posts

Monday, January 7, 2013

Episode 163 Discussion: 7th Jan 2013

Life mein Twist isliye Kahani mein Twirl
Episode 163 Discussion: 7th Jan 2013
That's Balraj's gameplan for MB'Verse in coming days. The episode was not much except 
  1. Family Picture Taking and Exhibition to Balraj
  2. Radha (The Gatekeeper) being yet again the spokeswoman to advise RK and Madhu to complete their saat phere along with Padmini and Shamsher.
  3. Balraj vengeance unleashed. 
  4. What takes the cake is Balraj's dialogues. 
  5. Balraj's mother has died and his fortune has dwindled to 3 crores from 300 crores and he holds Madhubala his daughter as responsible and vows to kill her and his wife Padmini on the day Padmini is getting married to Shamsher.
Episode Take

When he first sees the exhibition at the Chawl...this is how he gets clean bowled.
Roma ==> "Aunty"  
Shamsher ==> "Pehelwaan"
Trishna ==> "Pehelwaan ko apna baap bolti hai" 
Padmini ==> looking at her mangalsutra and her sindhoor..."hamaare naam ka pahna hai...pehelwaan se shaadi...kya confusion hai" 

history ki mystery clear ho rahi hai 

RK ==>Yeh bhi shaamil hai is family main ? 
Madhu ==> Vinaashbala

By the end of the episode when he devises his plan to kill his Vinaashbala, this is what we get to hear...
Padmini  ==> Kulta kalankini ...alag hi love story
"Main Tulsi Tere Aangan ki Pehelwaanjee, Badli karli maine saajan ki Pehelwaanjee"

Shamsher becomes a saand from Pehelwaan

"Madhubala nahin - main dooba saala, Balraj ki vinaashbala" 

Asides
Where did get that picture of Madhubala from ? That was from Mata ki Chowki pooja. And it still has the caption of some old times ? Where did that clipping come from ? 
RK ko Giraftaar karaate karaate
Madhubala ka dil...RK ke giraft mein

So finally we have one person saying per storyline that Madhubala is ATI KHABSURAT...Meri Bitiya...

Same carpet design that is present in RK's room.
RK -Madhu -Radha - dining table scene -- It did not strike any chord in my heart. Was not needed.


Balraj Background and Present.
Contrary to the disappointment felt by some, BALRAJ is very much retained from his original Character Scoping and now he has been Improved. The old flavor is Balraj is still retained. He used to consider himself Bhagwaan then and now he calls himself Bhagwan Shaitan Choudhary. But he is also milder due to his losses over the years. The story writers went back to original episodes and bringing the same Balraj. Yesterday too when I was watching the initial episodes, Balraj was comical, disgusting, serious, evil and idiotic. He is a mix of everything. So this Balraj is being correct...and actually the man is no longer in his prime of life, and as old person with seeing so much loss, he will definitely turn into a nervous guy.

To clarify one thing about Balraj...as I had watched the show's 1st four episodes yesterday night to prepare myself of Balraj eyeing his targets today.


He may be lamenting that 300 crores is now 3 crores.
But then, his mother actually called Guruji (Lalit Parimoo) as she becomes apprehensive on account of a recent land loss for Balraj. So even before Madhu is born, Balraj was losing money. 

Whatever his mother (through her husband) amassed the property, Balraj had started to lose and without any progeny of his. Not that he was not having children, like a psycho, he was wanting a male child. To me it seemed that the Guruji was rather augmenting Balraj's fears. Because the Guruji...against a time setting of 1989, warns both mother and son that they should not discriminate between MALE and FEMALE child.

Another thing that was interesting for me was that Daimaa, warns Senior Chaudhrayn that they cannot call doctors and conduct the sex determination test on the unborn child. To which the Chaudhrayn answers that doctors will be called and the machine will be brought in secretly...that was funny to watch.  Atleast Colors got away with Social diplomacy there!

Significant to present tracks being played:
  1. Balraj called Trishna a "Bahadur" (Brave) girl...though he was pissed that she was his daughter.
  2. Daaima told Padmini that Trishna's mother was a brave woman and courageous at that.
  3. Trishna was attracted to all the vanity items in the Vanity Van. :) 
  4. And Trishna was shown to have her own tastes (like saying no to biscuits) but then listening to Padmini. But then again, she gave all the buiscuits to the stray dogs. Padmini was super upset at her behaviour.  So Trishna was kinda dumb always...not understanding the situation or just a simple disconnect like her father. 
  5. Balraj, though a maniac and hot tempered...when he cools down, he thinks intelligently...as in he is capable of deducing things.
  6. The story started in 1989. So MB is 22 years old.
  7. Gosh!! Both Balraj's daughters got his lil bit of maniac blood...I must say.
  8. What is Shamsher doing in the train from Motihari ?  And he turns out to be Roma's brother...what a clunk ! Shamsher and Balraj are Jaani  Dushman ...kya baat hai ??? They did not kill each other for the same woman...Padmini. Wow!!! Do Deewnane for Padmini!!


Re...The 7 phere completion required for consummation of the marriage.

From the viewer perspective, without 7 phere, we are not going to get to see consummation. So be done with it CVs.

Shridevi says...I hardly care whether CVs want to show 7 pheras completed or not. Because consummation is just one night love making and that too on TV, they will not show it. But for the show, it is the mirage/oasis as depends on what CVs want to show in the end. It will create the promise and thus viewer will be glued to watch the show until it is shown. And I am not going to fall to that bait. No way !!!

Plus how is that actually helping the CVs in writing scenes romantically aftewards. No change. They will continue to have same romantic scenes as now...only difference is they will not yearningly speak of wanting to melt in each others arms, or show desire and restraint and talk of dreams of having children...which is then making consummation done as actually a minus point for them. They will have an uphill task to create a beautiful romance once consummation is achieved. And no matter what seperation is induced, the magic is lost as viewers already would have the cathartic feeling.

RK and Madhu perspective...yes we want 7 pheron waali shaadi because we want to start our conjugal life in all propriety. 

Shridevi says - I bless you my dear RK and MB. Just schedule it and i will grace the occasion with my presence and give you mu blessings. My dear, you deserve all the happiness. And I really would love to see junior RK and junior MB in RK dream fashion.

Story dicates - there is an inherent opposition to this dream. 
Shridevi says - I concur.
As I explained in my yesterday's post.

By the end of Karva Chauth track, the 4 phera marriage loses its icy edge of having to be isolated from each other in thought; though conjoined as always. It gets the feeling, the warm feeling that starts to melt each other in the relationship they have. They both are happy to realize that they like each other and they start being happy about unexplored things about themselves...like MB falling in love to the point of effacing herself in his presence...like Rishabh knowing that he is still the feeling man and surprisingly it does not hurt him...

However what Rishabh Kundra again does not understand is what does it all mean ? There needs to have some meaning there ? Why did they have to meet in such gory manner ? Was it just for him to realize that he can love...yet again ? He can have something for himself ? Nowdays he is vacillating between being a happy and an insecure man...because he truly doesn't know why MB had been destined to be made part of his life. Even we don't know...Let's see where it goes... For now he thinks it was all for him and his new found happiness...May be that is not the case Rishabh Kundra. God has other plans for you two together...

Read it in full here

Though, those who are asking for the 7 phera marriage have already read my post...so they are still dreaming about it...No girls...you need the two to let them understand why they met like that and what each means to the other over the larger canvas.

We all know why Rishabh Kundra loves Madhu. We have his clearly expressed WHY's.
Can anyone tell me...why Madhu loves Rishabh Kundra ? Once I was discussing with Zoya at length and we both felt the sadness that RK still doesn't know that if Madhu loves him like he loves in purpose. She is just devoted...and that doesn't mean anything when the two souls are living in the material world. Devotion can be punctured and tested all the time with misunderstanding by any force that is antagonistic to their wishes.

This mystery of why Madhu loves RK is so encouraged in the storyline to keep the element of surprise.

This is the reason why we the viewers were purposefully not made privy to Madhu's love letter.
This is the reason why RK does not allow Madhu to tell her that she too loves him in the confession track. He just asks her to keep quiet and then seals her love with his kiss...and he wants her to come away with him just like that.
This is the reason why the story writers make RK keep asking his wife to trust him, believe in him, come away with him, have a 7 phera marriage. When do you beat drums like this ? When its not gonna happen...

And Shridevi finally says...for one silly consummation track, I don't want the story to be sacrificed. I need to know...just like the story writers showed me the promise...there needs to be a bigger reason why the two met in such an unprecedented fashion. 

Marriage is just one sort of bond to be together...it gives a lot of scope for them to be together in the soap world of present times.
May be the makers had ideas like AA in her FF writes...to make MB his make up artist and then bring them together and have them married like Shantaram and Sandhya...and RK mentoring her to become actress...but that original premise gone...now I need to know the meaning for their being together now inspite of the incomplete marriage they have. The CVs just need to justify the soul of the love story to me and 7 phera marriage is not the answer in current circumstances.
By dramacrazy12
Love your perspective here Shri...I completely agree with you. To add to the point you are making...this is the best of both worlds from a story perspective. They are married from a legal/social perspective but they are not married from thier mindset perspective. While this affords them all sorts of rights over each other publically and there are no fingers pointed at them yet both have to deal with insecurities of thier relationship and yearning in private.
Makes for an interesting situation between a couple who are both so passionate in thier outlooks and are crazily in love with each other.

By AA
Beautiful Shri. I wish the CV's could read your posts and give us the story we all yearn for. Don't get me wrong, I like the way MEIEJ is going now, and I understand the constraints the CV's are under...but sometimes I'm nostalgic for the promise of those initial promos...


Others Take
By Zorica
Rishab have a family! 

Madman!
Tum bhi 7 phere le lo




Zorica, Lovely poster...

Aside to ALL,

BUT...Watching this poster makes me cringe ...naturalistic feelings.

Why ?

How can the two...RK and Madhu sit at the dining table and eat with the same work/business/daytime clothes that they wore throughout the day ?????? How ???? Atleast Ekta Kapoor shows her working men change into kurtas and them coming to eat at the table. Atleast in EHMMBH, Virat; when he stays home throughout the day, he comes to the dining table wearing the same T.

Madhu with her flowing Dupattas...can she not think hygenically and just change to different clothes ? 

OMG!!! the present generation of soaps...they belie the very TRP culture. The point of TRP is to generate a scale where by revenue through advertisements can be assessed. Today's Colgates and Pepsodents have ads with dentists recommending parents and children to brush their teeth twice a day. Ofcourse it is all ill-advised, forced sales on consumers through creating fallacy that one needs to brush twice a day. However coming back to sanity of modern world that alteast was reflected in 80's. Didn't we the 70's born children grow up on Dettol promoted culture, where the housewife equivalent of our mothers, would go out collect germs and dust from the Indian metro and polluted roads and come home to take a shower. And don't we agree to this...considering the dust we collect ? I don't know about Mumbai...but Delhi is BLACK SOOT and Sweat. Hyderabad is red mild dust...not as bad as Delhi. Actually lot cleaner provided you have not taken the public transport in peak hours.

And forget ads and TV promoted hygeine, I remember my mom always changing to her household get up when she came back from out and she would yell at us if we tried to have food without changing our school uniforms or outside casual dress. She made us religiously change into something else before we can do anything related to food.

And now I have my husband...paranoid ...much more than my mother...he can't stand me in my business clothes because I travel in the metro...so starts dancing until I change and I love to torture him more by taking my own sweet time.

So...what I am saying is...them having food in same set of clothes just makes me cringe !!! 
[QUOTE=apolloartemis] 
Balraj sent a shiver up my spine today- his madness, now left unchecked is scary to behold. That said, I wonder, without his mother's guiding hand, just how effective will he be? With the Rishbala fight scene coming up, its a tragedy that the couple will be splintered just when they need to come together, giving Ballu the opening he needs.


[QUOTE=dramacrazy12]
Agreed...Balraj was scary. I was having a hard time understanding what upset him more..he was tricked 20 years earlier or that his family survived and is actually happy while his fortunes have declines in all these years. His daughter is married to a superstar, another daughter is poised to star in movie while his wife is all set to remarry. He seemed to be mad and jealous in equal measures. I still believe that he does not have smarts to pull this off ...he still wants to go and kill them. As far as Rishbala are considered thier fight could be a blessing in disguise.

[QUOTE=apolloartemis] 
I feel the RK/Radha thing is going to take a huge step back when 1) The Bhatia's come back and 2) Madhu/RK has the fight. This is because I maintain my position that RK is doing the entire thing for Madhu- he himself has no intention with reconciling with his mom- his gestures are always reluctant, and Madhu has to coerce him to do them. So the sweetness does not give me diabetes but for me its false, and will come crashing down. And once again Radunce will show her true colors when Rishbala fight.

[QUOTE=dramacrazy12]
Agree again...Radha does not have the backbone to take any initiative or even to stick to her stand. It is in Bhatia's favor that RK and Radha remain splintered so he is bound to throw a monkey wrench in thier growing closeness. RK is reluctant to grow the relationship more because of hesitation than anything else. He knows it is time to move on but is not sure how to and Madhu is helping him with it.

[QUOTE=apolloartemis] 
I wonder still, how Madhu will be forced into stardom. This is because they seem to be disposing of tracks faster than I can write-If it's a way for RK to keep her near him, then what leverage will he have? Furthermore, for Balraj to be totally destroyed Madhu has to be know- his star falls as hers rises. So again, does this mean the stardom track is coming up? Or just by being RK's wife she's famous enough?

[QUOTE=dramacrazy12]
I was once told by a very wise person that the danger in knowing your future or being scared of a curse is that they have a way of becoming self-fulfilling phophecies. Knowing tampers with your free will and essentially takes away your choices of changing destiny from you.
For example-Padmini ran because she wanted to protect her unborn child from her father's madness. If Ballu had not believed his downfall lay in hands of his daughter, he would have never tried to kill the Madhu. Padmini would have borne all the abuse but never run away...none of this would have happenned. Ballu's downfall had long started before birth of Madhu and Death of Ballu's mother is a natural occurance but his belief makes Ballu connect all this to Madhu.
There is an another curse in play- RK and Madhu will never have marital bliss as curse by Trishna. The question is will the couple believe it. If Rishbala do decide to complete the rituals with Shamini and Ballu does succeed in harming either RK or Madhu then what would it mean for the couple. Would it scare them enough to believe in it? If they do believe in it then will RK still want to marry Madhu at the risk of losing her or vice versa.
RK had wanted to leave his fame and live like a next door person...he wanted a small house, kids and so on  ...that is how he wanted to write his love story. If he can't have that ...then what will he go for...How will he tell his lovestory...on silver screen? How will he deal with unending yearning?
How will Madhu deal with her love?


By SD
And equally, I loved the exchange between both of you. AA and Puja's response to AA...about the application of self-will for self-destruction and the negation of the same over an assumed curse.  The question of whether curse can be made real.

You know what...I don't know when exactly...but my whole premise that RK will make Madhu the actress is on the fact that RK the fighter will make Madhu the actress and get her fame to disprove Balraj that she is the cause for his destruction. I really don't know how...but the compassionate and ethically moved person in me wants to see that a social message be sent out to masses that
  1. Curses do not work
  2. Destiny is self-charted when self-will is applied to predestined fate. One just needs to positively think. That guruji gave that kind of predicament to Balraj is self-explanatory. He showed him bad for his bad deeds. If he will not like the girl child, he will get destroyed by its rising power. So what is the "TOD"....solution...Balraj needs to kill his apathy for his girl child and and he will then rise along with his daughter's success. This message is already coming across to viewers
  3. Insecurities need to be fought with personal strength. Balraj fears his doom through Madhu, so wants to kill Madhu. RK fears lovelessness in his life and so wants to hold onto Madhu. No...Madhu cannot be the solution to your security. She can just be the helper to find your strength.

Tuesday, January 1, 2013

Episode 158 Discussion: 1st Jan 2013

Episode 158  Discussion: 1st Jan 2013

Action and Drama building up around all the current tracks...Trishna movie launch, Padmini-Shamsher marriage, Balraj Rentry

Episode Review
Wow!!! What a gripping episode. Will give an A+ rating for the episode.

The episode highlights being
  • Trishna seeing her producer is none other than her father Balraj and deciding to turn down the movie offer. 
  • Trishna chooses not to tell Padmini that Balraj is back in town.
  • Bittuji-RK upset that Trishna fainted in front of Balraj and RK asking to fix it up again between.
  • RK calls up Shamsher and together him and Madhu ask Shamsher to get married to Padmini
  • And an undercurrent of plethora of emotions dominating each scene.

Trishna -Balraj scene - Emotional state of panic and fear.
Trishna wants to thank her producer and is agahst to find out that he is none other than her father Balraj. All flashback scenes. She tries to escape the place before Balraj can see her. But fear and panic gets the better of her and she faints. This is almost the same when as the child Trishna was in. We can see that Trishna has never been able to come out of the traumatic shocks that she felt with her biological father.
On the other hand Balraj...I was confused...why was he calling her Trishna, Trishna as if he recognized and then shooes everything away and calls her "my heroine has fainted". He goes to get support and meanwhile Trishna recovering, bolts from there.


Bittuji-RK Scene in Vanity - Managing business with its ups and down like every other day.
It was an interestingly shot scene. I was reminded of the recurring theme of Bittuji's ever present tension-handling for tensions through his chief's career and business ventures and consequences of it. First he used to be worried about RK's prod schedules, then we were shown of Bittuji's concern about how to get his Chief away from Mukund Dikshit accident case, then Bittuji was worried with extortion calls, and now we have Bittuji starting to get bogged down in worry with Balraj -the producer.
RK the boss was as usually comprehending his secretary/manager's tension and suggesting what he has to do...as usual. And RK is called  to do his shots...his bread and butter earning work. 
Wow!! for the first time I got to hear a director saying aloud to RK, that his shot was perfect. 


Trishna - Padmini scene - What binds them together? A relationship born of sharing pain together and learning to love each other.
Living trauma together, coming out of it together and the love for each other...Today, there was not a moment when there could have been anyone between the two. When Trishna comes running in panic to Padmini, she almost wants to tell her mother that Balraj is back. But something makes her to decide against it. May be she didn't want Padmini to feel the pain. May be she will tell her mother when she calms down. 
And the dialogues beautifully built up the drama. When  Padmini says that Madhu was here...suddenly Trishna realizes that ..oh! yes Madhu is also there...but we do not see the typical jealousy of hers...but someone that is also there between her and her mom and who also needs to be protected, no matter what.


RK-Madhu and Shamsher scene.
I am so moved by their scenes in duo or tri fashion with each other, starting from the phone call placing by RK to Shamsher, Madhu coming to meet up RK at the studio with all disappointment and RK sensing it, Madhu and Shamsher meeting Madhu first and telling her how Rishabh has called him.
Wow!!! Did you hear that ? Shamsher called RK as "Rishabh". That's really something. Really something.
And then the entire trio conversation was so beautifully done. And the marked contrast comes out today that how RK is much better in presenting his case. He makes people think ...Shamsher and RK conversation went to such a high mental plane of understanding, anger and disappointment and yet a driving down understanding of trust between the two. It was just beautiful to watch. I am sure if RK had gone with Madhu to talk to Padmini, he would not have had a high pitched reaction from Padmini, but far more heart-wrenching pain at RK for even thinking about it. Regardless RK would have broken the barriers towards realization far more effectively.Alas! he should not be doing everything by himself. Protocol forbids him that.

Anyways, without any ado, I would bring forth the conversation that I had with Zorica yesterday regarding the essence of Shamsher and Padmini's relationship. I might as well quote it again here.

Zorica asked
What is the name of this relationship.

Me to Zorica
Padmini answered it as "the relationship of trust, respect and purity." 

However, in the mangalsutra scene, Shamsher was so lovingly looking at Padmini when she fumbles a bit to tie it around her neck. A man who loves her daughters as his own, why wouldn't he love her when she takes care of him so much. But just that he is her knight in shining armour and his milady happens to be a married woman. All that is left for him to do it just lay his life down for her and in return never ask anything. That's his gentleman's promise to his milady, one who is not a lady in distress, but a strong lady who chose to save her kids from her evil husband without anyone's help and expecting no help.

Zorica to me
At the very beginning it was clear that this would be a good show. Here we are able to meet first with the image of Balraj, but also to understand how strong bonds connect Padmini and the children. Traumatic experience for her and Trishna, but she was lucky to meet Malik even while Madhu is born. RK had the opportunity to see what the viewers saw at the very beginning in terms of their relationship, and that is a great understanding, respect and mutual concern. Malik has always acted with Padmini as she is of special value, like it was made of glass or porcelain, realizing that Padmini is essentially gentle woman (but fight like a lioness for her children). He acted shy, but always protective.

Originally posted by zorica


My small contribution. It was made in a hurry. But, I'll do one that will show their relationship over time.
I think to make one that would be called: All Dipali's faces. But I myself do not like to watch her, and I suspect neither do you. Ouch


Zorica,
I liked the pic very much.

To answer your question there, Padmini answered it as "the relationship of trust, respect and purity." 

Others Takes
By Tanu
Wishing everyone a Happy and a Prosperous New Year!
It was a well-executed episode, kudos to the writers.
Trishna was a surprise when she decided to hide Ballu's return from her mother. Given how she reacted to the situation the only reason shed wil do the movie is if Ballu forces her to do the movie. It wont take much time for him to figure out that RK wants his identity as the producer to be hidden. So there is no effective way of RK-Trishna talking to eachother… Ballu may use that to his advantage. Trishna might do the film to shield her family (Yes, I am being generous and giving her a benefit of doubt!)
Malik-RK-Madhu scene was very well done. It was heartwarming to hear Malik refer to RK as Rishabh. RK was amazingly mature in the way he spoke to Malik. Yes, RK has an advantage of being the son-in-law because of which the reaction of Malik was toned down. I loved the way RK started off with '...ek duje ke prati parva, chinta aur izzat bahut hai… manna nahi par pyar bhi hai!' he paused at that for Malik's reaction and all he got was Malik's silence which said it all. As RK pointed out it was so obvious Malik was worried about Padmini's reaction and what she would think of him. It is in a way wonderful and in many way too sad that Malik loves Padmini with so much of devotion and yet chose not to tell her anything. They needed to get together a lot earlier… they didn't deserve such incomplete lives being together. There was a stark contrast in the way RK spoke and the way Madhu spoke… cant really fault Madhu because she was too emotional about the entire issue. RK kept the entire conversation as them being two individuals who respect eachother immensely and may even be in love which is why their relationship ought to be given a name. On the other hand  Madhu bluntly said 'aap pati patni se kum tho nahi ho na' She deserved Malik's wrath for that simply because it didn't sound good. What I really liked was the fact that Malik didn't for a moment deny through words or reactions that he loved Padmini nor was he ashamed of it… he was man enough to accept it when it is no longer his secret.
RK is back to RKism... he is using his way to get around to Padmini-Malik about their love for eachother. Did I read Padmini slaps him? He sure deserves it… faking an accident is so not done. But I am sure RK wont mind a bit… he will stand around with an amused smile teasing away Padmini and Malik. Malik will be fine with the marriage thing aslong as Padmini is fine… so can have RK handling Padmini instead of Madhu and Trishna, please?
Bhupinder who plays Malik, isn't an extra ordinary actor but is decent enough an actor… but there are times he reminds me of Dharmendra's 'Tumhara khoon pi jaunga' expression…which is so not cool.
Precap – The nafrat ki deewar is being brought down a pillow at a time.

By Zoya_Naziya
Wishing everyone here a very Happy New Year!!!! May this year bring joy and happiness into yours and your loved one's lives..

Hope some of you had a rocking start and some have a rocking start to the year!!!

Coming to the episode, it was a very eventful and quite a gripping one with all the scenes directed towards the coming toofan in their lives.

Trishna displayed morbid fear on seeing Balraj to such an extent that she faints on the spot. She then comes running to hug her mom, the only person who can truly comprehend her fear and calm her as it is only they both who have been oppressed and traumatised firsthand by the ruthless tyrant. She stops short from revealing about Balraj prolly coz she already looked a lil worried and had blurted by asking if Madhu told her sth. On hearing Madhu's name, I am assuming Trish realized that it is not just her mom and she but even Madhu needs to be kept away/saved from Balraj's wrath. 

Another episode stealer scene apart from the above was the RK-Malik-Madhu scene. It was handled very neatly with no emotions running out of place. I truly loved the scene coz both RK and Malik were using their head to comprehend what was being put-forth by other and answering back in a similar fashion.
Malik clearly understands where RK(and Madhu) are coming from. But he tries to appease the situation by keeping Padmini in mind.  His anger was for the fact that broaching this subject would have caused anguish to Padmini.He tells that his r'ship with Pads is one that he has nurtured with respect and trust and RK points out that  love, care , concern for each other is what has made it a beautiful one. Malik knows Pads might be a strong but still is very deeply-rooted in customs and traditions. He is happy the way things are doesn't want to take a single chance and taint their pure r'ship.  Such a selfless soul. Beti ke liye jaan ki parwah nahi ki and us beti ki maa ke liye zindagi ki parwah nahi ki. 

RK understands the unspoken and the spoken emotions of Malik and hence gears upto the next part of his plan i.e, Mission sasuma ko patao.

I truly liked that RK-Bittuji scene too. Lot of things were running in RK's head but the moment he finds Bittuji worried/tensed, he tells him to aaram se displace the tension on Balraj's(root cause of Bittuji's tension) head.

Interesting times ahead as to what Ballu will do to woo his heroine back to the film offer. Will he stalk/trsck her down to the chawl thus coming face-to-face with his past? What will be his plan of action thereafter? What would RK do if Trish refuses to take up Ballu's film offer?

@Soundarya and others: Your much awaited pillow barrier is breaking down

By Ananya05
Beautiful episode, with everyone playing their part brilliantly.


After many many days I liked Trishna today. I liked the fact that she chose to hide her encounter with ballu from her mother and keep it to herself, although it might not be an intelligent move. I also liked the fact that she showed recognition that Madhu too falls in the line of danger(probably more than them) along with herself and her mother now that ballu is back in town. But ballu will not keep quiet. Remember what tamasha he created to get into this movie with RK. Aur ab to heroine mana kar rahi hai. He will surely track her down and that is when he might come face to face with padmini and madhu.



Madhu-RK-Malik scene was brilliant. One of the best in recent episodes. Everyone has already written beautifully about it. I agree with all of you, so won't write too much and make things repetitive. But, I will not refrain myself from praising RK and Malik. Padmini and Madhu are truly lucky to have these two men in their lives, who will always put these two ladies ahead of themselves. 



RK once again proves what a skilled man he is when it comes to reading people and putting his point across to them. Loved how he understood the unspoken emotions of Malik for Padmini and made Madhu understand it once Malik left.



To ab RK sasuma ko manane ke liye thappad bhi khane ko tayar hai. Wah! Daamad ho to aisa!



Precap: sent me to dreamland..

by apolloartemis
Great reviews guys, though I had to skim through them (so tired from yesterday and today...)
Watched the episode and I must say it was a very good one. CV's seem to finding the balance between telling Rishbala's story and telling the story of everyone around them- while Rishbala are the focus they are not dominating the narrative, which I like. I think, especially given the six day thing going on now, taking some of the heat of the leads is definately a good thing, as it'll give them some time off, so to speak. Everyone can share the painLOL if they keep going the way they are.
I loved the way they handled Trishna- I said it before and I'll say it again, no way in heck she would act with Ballu, not the way she feels about him. Her scenes with Padmini were also very good...a daughter who knows there is calamnity coming, but wants to protect her mother above everything else. In no way shape or form was Trishna in her "stepmother/stepdaughter" mode today, and it was heartwarming to see.
Liked the scene between Malik/RK/Madhu. The two men really are alike in the way they view Madhu and their loved ones. Malik endured 20 years of taunts for his respect and love for Padmini, and RK's obsession with Madhu will lead him heaven knows where. I don't think RK could ever be as selfless as Malik has been though. Madhu is his and he'll burn the world to keep her.
What I am excited about is the upcoming confrontration with Ballu. It'll be nice if it's a family effort, not just a Rishbala thing.
Also, is anyone noticing that RK is genuinely coming close to Madhu's family, but still keeping a distance from his mother? I mean in the sense that he does trust Malik and Padmini...but he'll never trust his mother again.
Who gets the title Radunce again- woman, for the love of Pete, stop listining to your elder DIL- grow a brain!

Saturday, December 29, 2012

Episode 150 Discussion: 20th Dec 2012

Enter BSC - Bhagwan Shaitan Chaudhary  - Our very own Balraj Singh Choudhary
Nayak Nahin Khalnayak Hoon Main
Episode 150  Discussion: 20th Dec 2012

Episode Events
The entire episode is dedicated to the reentry of Balraj. RK meets up him at Balraj's Birthday party. RK and Balraj recognize each other as having met in the loack-up. RK tells Bittuji that BSC is a Nut-Case and they should not do any business with him. He leaves the party. Unfortunately, his car has broken down which forces him to take the lift offered by Balraj in his ambulance to go to his home. 
The episode is strewn with loaded meaning as how RK would be protective of Madhu against Balraj...with the innocent rose taking the lead role. The rose is adorned on RK's coat by Madhu, Balraj tries to grab it and RK stops Balraj and shoves him away. RK comes all intact with the rose back to Madhu.
Not to forget...there are two romantic scenes between Madhu and RK...in the beginning and ending.

Episode Take
A filler episode with the primary intent to introduce BSC ...Erstwhile Balraj Singh Chaudhary now known as Bhagwan Shaitan Choudhary

Today RK and Him have met. Tomorrow BSC is going to meet Madhubala. RK calls BSC as a NUT CASE, but by the end of it, he does get affected by Balraj charm, like I was. It was hilarious and very smart of him to make an ambulance as his getaway vehicle because that beats Mumbai traffic. Well no one can stop Balraj ! Right !!! I was smirking at that man and his crazy thinking and lo to my surprise even RK is impressed with that brilliant idea. 

RK dressed for Party ...I liked it. And I also liked how he was throwing Balraj's hands away from him.Loved that BSC's madness attracted RK. Come to think of it, it was hilarious.

Down side of the episode. 
Now that RK-MB marriage is paused, does that mean that I have to watch those boring eyelocks or attempts at intimacy when I know for sure nothing's gonna happen. Why don't they instead have them lose themselves into passion and regret later as guilt-ridden souls or enjoy as sinners or rather just stay away from it like saints. Oh! Please give me anything than just the ennui as if selling some kind of adolescent sensationalism...As a viewer, it is cheating for me with filler scene of such sort with no real drama happening in those minutes. God !!! spare me from these unwanted fillers !!!

A borderline bearable scene 
That RK wanted his Biwi to come along with him to the party. And I am really surprised, why Madhu must have withheld herself from joining. Except for the clunk reason that "let first RK meet up with BSC and have the ambulance scene" and "let's have the rose scene there to show RK possessiveness" except for that ...I cannot fathom how Balraj could have thought that single rose was enough to alleviate the medicinal smell of the ambulance !!! And who in their right minds would want to remove rose from another man's shirt??  May be that was to show that it is The Balraj for us. And what's with Madhu asking RK, why didn't he leave rose in the ambulance?? I cannot imagine her saying this. But then again I am a Scorpio. I think differently and have different notions on tokens of affection.
Anyways coming back to dissection of the borderline bearable scene...Husband was wishing wife to join him at the party. Wife too subtly showed she wanted to join him, but then didn't want to be too clingy. I could make sense of that scene only that way. Chalo him spraying the perfume and her giving him the rose...Sigh!!! will keep them from too much sighing in remembrances !! 

Rating...Just that one laugh at the ambulance scene...when Balraj explains its convenience, noting else was brilliant in terms of drama. However, RK's get up for the party appealed to me. Bittuji seems to have improved in his taste of attire. He is wearing all plain Shirts now. And finally Zutshi did make me listen to him in full. Please just give him meaty dialogues and a role to play and not the nincompoop he came across to me with that song and ambulance rescue. Made no sense to me, except as the crazy Movie Financier. So I am plain confused where does it fall...B or B - or C. 

The Increasing Clunkiness of Symbolism in MEIEJ
  • The Photo as gifted by Radhaji
  • The Rose scene as done between MB-RK, RK-Ballu and MB-RK
  1. Photo was plain weird inspite of Rishabh looking at Madhu as his focus of attention.
  2. Rose, as the sign of possession and protection between Madhu and RK and Ballu as the violater - makes sense
  3. Rose and its ability to remove the smell of the ambulance - plain dumb idea of the writers to create metaphorically the idea of same blood flows between father and daughter. Can't they have kept patience to develop it later ? Why so much of hurry and this increasing clunk ? At this rate of NO romance and NO touch, the show is not going to end soon...so why hurry ?
  4. Which intelligent person would think one rose is enough to remove all the disinfectant or cholorform smell of the ambulance...What does Madhu know about it  ? As a woman, when she herself gave it as a token of love and remembrance to her husband, how can she instead of noticing it as endearing sentiment of love by her husband ask him, why didn't he throw away ? Isn't it against a loving sense ?
Lastly, why do they have to butcher Madhu like this with insensitive romance with hubby just for the sake of clunky symbolism?
Originally posted by _charu_

Originally posted by RKLover
Madhu, please for once can you listen to your husband and prioritize him??

And yes, how can I miss out on this? RK was looking droolicious in the party get up...
seriously, can't fathom the reason behind deprioritizing husband , that too in simple matters like going out for a party  he insisted so many times but she didn't budge...what planning did she have to do? planning is done inside the head, she didn't have to be at home to fulfill this mission...which wife wud refuse ?? okay, RK is not her only focus in life but nobody is asking to choose  b/w RK and her family..it's about priorities..i haven't seen 1 heroine doing it on tellyland..they r better bahus than wives..haan when they have to keep vrats and when their suhaag is in danger, they r right there to show how much they love their husbands ...all of us are bound by family duties but one must value these few precious moments where they got a chance to spend time with their spouses..the whole day is not sufficient for planning and MIL, khana banana, khana and khilana? 
responded by SD
Charu, 

Her not attending the party was the biggest clunk of today's story. I was very disappointed with seeing her madness in refusing to go with him, then RK getting attracted to Balraj madness. 
  • CVs are hell bent making Madhu as ordinary and not shape her as a star's wife who needs to take reigns of being the star's wife along with social and business obligations for her husband. RK is repeatedly telling her not to be a domesticated wife and yet Madhu is keeping that. 
  • So are CVs planning a purposeful rift through this clunkiness of character absurdity in Madhu ?
  • So on everything the CVs are just busy painting inexplicable idiosyncracies in characters surrounding RK.
  • Do they plan to bring junoon inside Rishabh only through showing more paagalpan in people surrounding him ? So should I stop expecting sense from everyone around RK ? 


Continuing on the Ambulance scene and Rishabh's attraction to Madness.
I am really trying to make heads and tails of MEIEJ from Today onwards. A re-evaluation. 

Basically, it was that 150th episode ...Balraj reintroduced post Rishbala tell each other that they love the other. I know now what is Rishabh Kundra. I never much cared for his ishq and junooni love story for Madhubala, but I really was intrigued at the way he married her...in that unconventional style. By the end of it...now he wants a conventional marriage with her because he loves her and it makes so much sense to him. For me it was all about what kicks he is getting out of that ordeal/challenge that he went through. And I was happy with what he got as the prize.

Rishabh Kundra is this intellectual person, who highly appeals to me along with extremely sensitive self. He makes me understand sensitivity and how to respond to it and keep it inspite of us getting older day by day and growing into obtuse persons. He is anything but a hypocrit or snob and is ever ready to speak out his mind and then get shot rather than not to speak at all, not to express at all. In here it means to express his hurt as well, even if that means to die...even if that means to go against prudence, appear absurd, appear weak. And he is a person who would never change his viewpoint until he is shown a better view point and then he is ready to bull doze his own view point. The logical argument needs to be that evolved for him to appeal to his mind and senses alike. That's the reason he seems unconventional at all times and then he is ready to go back to convention. No family...yes Family, Half-marriage ...Full marriage, No Karva chauth ...yes Karva Chauth, no God ...yes God...No Forgiveness ...Yes Forgiving. He seems to shoot his own brains at being loggerheads with all the madness of the world. Part of madness he is disdainful and part of madness gets his respect.  The madness in his house, he was disdainful of...the madness he saw in Madhu and her family, it appeals to him so much now...that he is ready to balance himself between both the worlds.

But in all of this, he got attached to Madhubala. Her madness appeals to him. If the story ended here between the two...I would have had peace. However...

As I thought more about today's episode and his smile at Balraj's unique mind at beating Mumbai traffic, through that ambulance, Rishabh Kundra yet again shot his brains out and killed his man of business attitude at "should not do business with a nut-case" and warmed up to enjoy the ride home in Balraj's ambulance...against all social prudence, leaving behind his Superstar status...I started to see him...as Rishabh Kundra -the Matador, ready to take on the charging bull of madness.

Why does madness in that raw style appeal to him ? Either ways. Good or Bad. Why doesn't he let go of his attraction to madness ? He wouldn't have harboured so much of hurt and disdain, if he had controlled his desire and walked away from madness. But at the same time, this attitude now got him Madhu and her parents, whom now he has started to like. But then again...its not that rosy. He once again ushered in MADNESS by warming upto Balraj Choudhary. Madness does not have a sane path. Does Rishabh Kundra forever want to be married to madness? 

Will Rishabh Kundra ever say NO to Madness ? Will he stop being the Matador ? 

I can only think of one thing for today's episode.

Goli maar bheje Mein
Bheja shor karta hai
Bheje ki sunega to marega Kallu
Are Tu karega dusara bharega kallu 
Mama ...Kallu Mama!!!

Both Balraj and RK seemed ready to shoot their brains. Madhu will always have her own mission to run. And between all of them, I should shoot my brains if I continue to see the attraction to madness.

While I saw Rishabh Kundra shooting his brain but then again getting rejuvenated with awakened heart which nurtured back his intellect...in his attraction to Madhu madness...as in episode 149...with that reentry to Chawl to apologize to his wife's parents for his misdeeds was mark of his intellect back into existence...which gives me hope that he will shoot his brains but also ready to grow his brain...What about Balraj Choudhary ?

May be I should stop applying my mind and see what appeals to my heart. I am just so damn confused...I got attracted to Balraj's ambulance idea, that I warmed up to. So am I mad too ...like Rishabh Kundra ? Is that why I like Madhu too, though I can never fathom how she could go against her family's well-being for a idiotic cause such as Mukund Dikshit ? What is Saurabh Tiwari aiming at by writing a story like this ? Yes, I get emotional elevation, but my intellect has now started to yearn to ask Rishabh Kundra to stop getting attracted to Madness. Would that mean, I should put on a curb on myself ? Hope I am able to soon find a meaning in all this madness. 

Responded by Hima
Shri,

@BOld...I would say no...He would always be attracted to that paagalpan,junooni edge in people...
RK himself gave the answer to why he is the way he is...I don't exactly remember but,something along why is there brightness in Sun etc...I am sure you would remember that...He needs that kick in life...looks for it in people and around...he is made that way...He doesn't much like mundane people carrying on conventional life with out any questions...he despises cowardice...I am sure his fathers cowardly act of suicide bothered him as much as his mothers second marriage but,since he is no more he probably gave him benefit of doubt out of his affection...For him people who act,fight even though for wrong reasons are worthy than who hide,cry and give up...that's the reason why he couldn't forgive his mother...Basically he is a fighter...Though, he is attracted to madness,good or bad, he would never cross a few boundaries and his innate morals would always make him choose,accept,support and protect the one's on the right...Yes he wouldn't have a sane path but,would always end up with sane people as those would be the one's he will choose...What does Saurabh Tiwari want to tell...?? well I guess my be he is just presenting us with the paagalpan in people...of how a saint paagal brought out the humaneness of another seemingly devil paagal who in turn will save the saint paagal from the true evil paagal ha..ha ...I am going crazy now...but,Isn't this extra edge,kick,madness in a few that leads to great innovation,major changes and even destruction which make this planet of ours so diverse and full of surprises...

Responded by Pooja (Dramacrazy12)

I have stated many times before that to me the most intriguing character in the show is RK more so because he is such a bag of contradictions. He is charming, suave and smart when he chooses to be but he is also crass, impulsive and temperamental. His insecurities are almost as huge as his ego and self confidence. He is also an immensely observant and intelligent person with multifaceted artistic talents. Even though he is sarcastic and a hard to please boss, his relationship with Bittuji seems to suggest he is capable of invoking immense loyalty in others. With so many dimensions to his personality ranging from dark to light.Madhu comes across as a very single dimension entity when compared. She is light to his dark but then will he be light to her dark (assuming she has any) 
In past RK has been shown to nurse an almost deathwish. He cared for nothing including his life, he had nothing to lose. Life probably seemed like a long boring journey to him and he was in a hurry to get to the other end. This made him immensely dangerous and fearless. He courted danger much like a matador, took pleasure in shocking others by doing the unexpected and got his kicks from it. His madness was a way to keep him entertained and probably make him feel alive. He seemed to recognize the potential of same madness in others and enjoyed adding fuel to the fire and see them go crazy. His marraige with Madhu was a part of shock factor at the same time sending a message to the masses. However all this was before he fell in love yet again with Madhu. I would expect him to start scaling back on the craziness now. He has something to look forward to now and someone to care for. I cannot see him courting dangers anymore unless they are to protect Madhu. In same vein, I can see why he was impressed with Ballu's ambulance idea (it was crazy and out of box thinking) but at the same time I cannot see him prolonging his association with Ballu specifically if he senses that Madhu is scared of Ballu. He wants someone, he can control...it should be pretty obvious to him that Ballu does not fall in that category. My guess is his interaction with Ballu in the storyline was designed to introduce Ballu in Madhu's life. From now on RK and Ballu will be on opposite ends of spectrum (both are intelligent, devious and crazy). Anything else would be insulting RK's intelligence and capability to assess a person. Today effectively the ranks closed...Maliks reconciled with RK included in the circle. The only weak link here is Trishna-the big question is will her jealousy and anger for Madhu overcome her fear of Ballu.


Responded by SD

Pooja,
Because seriously, the character graph that RK was having all these days, certainly needs him to control his desire to court madness. In restrospect, I neither liked my liking to  Ballu's intelligence nor I wanted RK to get close to him. He needs to curb his desires for reckless kicks, if he now thinks he has a vested interest in life with Madhu besides him and he has found love. So having felt easy with someone else agreeing with me...which effectively tells that RK is making a mistake here...now acknowledging that I am ready to accept the story as it moves. Because, yes, once RK realizes that his reckless act is endangering Madhu, he will learn to control that. After all, he just started loving her and wants to get married to her properly. So, yes the matador needs to control his flamboyant desires for kicks and excitement.

Chalo that is one growth for Rishabh Kundra ...curb your attraction for games and courting danger...your life is not yours anymore. Ye aur baat hai...where fate will take him. I would just love once, him acknowledging that it was supremely bad idea to have shaken his hands with BSC...for the guy has now audacity to stalk him, interrupt his shoot schedule and just usurp whatever was left of RK's privacy.


VD-DD Acting Criticism - Thanda Romance and complaint to CVs
Originally posted by kt25

originally by SD
>>>Now that RK-MB marriage is paused, does that mean that I have to watch those boring eyelocks or attempts at intimacy when I know for sure nothing's gonna happen. Why don't they instead have them lose themselves into passion and regret later as guilt-ridden souls or enjoy as sinners or rather just stay away from it like saints. Oh! Please give me anything than just the ennui as if selling some kind of adolescent sensationalism...As a viewer, it is cheating for me with filler scene of such sort with no real drama happening in those minutes. God !!! spare me from these unwanted fillers !!!

@Shri - I couldn't agree more with you. For a second there when he was bending down close to her neck, I thought that he was going to give her a hickey which would remind her of him the whole time he is gone. Then I immediately caught myself thinking that this is Indian soap and we are talking DD/VD here so nothing of that sort is going to happen. But I have to give it to the CVs for raising the hopes of viewers only to crush them within matter of seconds. Anyways, a peck on the cheek or a kiss on the forehead would not have caused any harm. So, why so much hesitation when supposedly they have kissed after the confession or did they not kiss at all because the flowing screen of some sort came in between them.

responded by Namzz
Agree with both Shri and Kt. Plus these two actors are so freaking stiff it looks forced. What is wrong with them...wait please don't answer that. Shri, I have already done my bakwas while talking to you so you know exactly what I am talking about. lol
If simple intimate scenes are such a big deal, then I think the actors should reconsider their chosen professions. That's the whole point, you are acting and at least behave like the character in all aspects. Think I have gone totally off kilter and topic here...don't crucify me ladies..

By Soundarya

From the last one week, we've been fed some off episodes and some spot on episodes. Don't know what is happening, it is almost as if they're shooting from day to day. Are they focusing on the Jan episodes when VD will not be around?

I actually did'nt even feel like writing on the episode yesterday, except that this discussion thread has become so important that I have to get into it and add my two bit. It's not a rant, but these are so obviously filler , random episodes.
I am not analysing anything here, but just thinking aloud ...

Physical aspect: 

  • We've been trying to tell ourselves that their romance is progressing at the right pace!! But I remember Zoya's rant, ...how slow, how long!!! Is this pace the director's decision or is it that the actors are hesitent?? DOes a daily serial actually run on whether the lead actors are comfortable or uncomfortable? Can they risk it? And both DD and VD have been acting for sometime now, they know the drill plus they are both extremely serious about their work.
  • And the passion that is shown from both RK and MAdhu is not imagined, for all her behenji attitude, she does not shy away from any physical contact. Which is why it is beyond me, how can they stay apart...this is just one of those damn tracks that cause so much anticipation that it is almost  breaking news when it happens. i remember reading about kunal-Siddhi's consumation scene in parichay, it was actually breaking news, on a news ticker...i was like ...whaaat??It happened even with BALH.  So I guess this will be one of those long drawn out affairs. But I hope for the sanity of the viewers, they marry and have their SR etc before the heroine track begins. For that I don't mind waiting for the heroine track. Because that is going to be by far the biggest jhatka to all the relationships in the serial...RK-Madhu most definitely.(  It is convenient for everyone to have Madhu as gharelu and ever accomodating). It will be quite unbearable to have their passion simmering under the surface through months of shooting etc. Their relationship needs to have that closure. It cannot be a pavitra rishta anymore. 
  • I have no flow to my thoughts today, so bear with me. They are so many little things that bothered me yesterday, her dupatta is always perfectly pinned, I think it is even pinned to her arm, secondly, when he left and she kept saying...jao RK, it is natural to push gently, but she was just standing at attention and saying...jao..., thirdly the pillows..which are really beginning to annoy me, it is jarring and distracting now. Which is why, I'm thinking, in MBEIEJ, generally they have some degree of attention to detail, are all these things part of what the director requires?? If they let go of these little things, will it matter, that's what I keep wondering?? Are we missing something? or are they missing something, just being lazy about these details?
OK, bye for now, am going to continue at some point with this meandering post...