The love and romance gets better for Rishbala. Today I felt for the first time after Love Confession post KC track days, that Rishabh and Madhu were uncontrollably getting infatuated with each other. They seemed mindlessly getting attracted and yet not being able to do anything about it. They were seeing each other's new avatars in new setting. This crazy period of romance from other angles, usually always comes when we change the regular setting. We call add "spice to life"...Zest of life. I just loved how they ignored themselves and were adoring the other and feeling so happy there being with each other in all of this. If this was a film, something seriously sensual would happen...just that yeh TV hai Bhai !!!
Everyday, we see their love for each other, which is falling into place like a very comfortable dress, which we love to wear. But today, they were on fire, the screen was on fire.
Attraction was seen in KC track days, but with a lot of holdback. At the studio over Mehndi day, when Madhu steps into his shooting, there is a change of place and we see them getting awkward. RK is unable to act in front of his wife and likewise Madhu gets possessive, though she understands that she should not. So that awkwardness was another way of showing us their passion, attraction for each other.
Today, them both so settled in their love, romance...yes they tease themselves with jokes which they only understand...and so from this vantage, today in the episode, it was once again attraction, passion and falling in love for both of them and more for Madhu.
If we see, in three allusions I made, Madhu is the one who gets attracted to him and wants him to be hers, in totality...she doesn't want to share and wants to possess him and can do anything for that. And in three allusions, RK senses what Madhu feels and he starts reacting to that. We all know that pre and over KC track days, RK knew how Madhu was falling for him, at the studio, in the 2nd allusion, RK would not have faltered in dialogues had Madhu been indifferent. He falters becoz, he senses Madhu is not liking him with another women, even if that is his co-actor. And today, RK again senses Madhu falling all over for him and he registers that, without leaving his RK'esque traits. This is like he was in his KC days. Only this time, he is an acknowledged lover and husband of hers and so not leaving the place like KC track days. Here is taking to next level...like smudging her in soot was such a sensual touch. And even near the AC cleaning up scene at the end of episode, he was reacting to the glowing flare on her face when taunting him and he was poised to do something.
All of this is passionate. Everyday, you cannot be passionate. And I like these natural and logical emotions.
- Madhu's love for RK strengthens him and he becomes more of RK
- However Madhu's passion for RK, awes him to a sense of responsibility towards her and he becomes more of Rishabh.
And Madhu, remove her from her pleasant "used to" setting, she always gets passionate about RK. Madhu is a resilient person, a person who is confident because she doesn't have non-sensical ambitions or insecurities that drive her to do anything. She is okay with life wherever it takes her. But remove her away from her normal setting, she goes into a wild state, where her desire becomes RK. This aspect of hers has not been developed by CVs yet, but they have hinted it now for 5 times.
- The dream, which is so away from chawl setting and herself as beautician. She dreams herself dancing with RK in a dreamy manner...She is unsettled that she gets up perspiring.
- Then when she removes herself from RK Mansion setting and goes to watch her husband RK shooting for a film (not as the spot girl that she watched him earlier), she dreams again with herself in his Baahen (embrace).
- After a lot of breezy romance post love confession and lets leave dreaming in their privy moments be at the farmhouse or bedroom, when she goes to see RK again at the shooting scene during Padmini's Mehndi track, she gets upset at seeing him acting with other female, though she knows it wrong and realizes it is upsetting her husband also and she controls herself.
- After all the fight due to test of love...at the lake side set, she wants to finish the 7 pheras there itself. Well for plot reasons they stop at 4...but Madhu is unstoppable once she gets outside her regular setting and is just with him.
- Now they started for picnic expecting entire family to be with them, but it turned out Stranded in Village track. But Madhu cannot help herself and keeps fitting any excuse to just picture herself alone with him, be her wayward and forgetful packing...yes she was supposed to pack for picnic, but she ended packing for themselves...though I did not feel that in my heart yesterday due to the dialogues and TRP dig by writers, today in retrospect, I see that Madhu is looking for any excuse to take flight away from the RK Mansion setting. In the bullock cart too, she could not but ridiculously compare the three kids to be theirs and as if that bullock cart was her new world. Madhu is uncontrollably losing herself to her dream of possessing RK just for herself.
This is where it is making it passionate for herself, making RK turn into Rishabh, making him not just love her, but be sensitive to her, care for her, to revere her and all of this is not about giving her comfortable life, all of this is about being a match to her passion, to be equal to her, to love her that much in the way she desires him and would appreciate him. It definitely means a challenge for him...a sense of responsibilty towards fulfilment of love coming up...and not just materialistic comforts of life for his wife.
While the 4 pheras all mean the peripherals of marriages and what it means to the spouses, the last three pheras are about the core of the marriage for the two people who are getting married. And definitely CVs are getting the idea of playing passion with regards to last three pheras without having them take those three.
And in ending I would say; if on regular basis, Madhu runs MEIEJ story for all characters through managing RK, the soul of the Rishbala love story is run by Madhu's inexplicable passion for RK and moving Rishabh Kundra to react.
*********************************************************************************
The Rishbala moment in the Bullock Cart.
VD was bang on playing both RK and Rishabh in that moment. The scene had lot of subtlety and the actors needed to emote well. And which character actually understands emotions? It is always RK/Rishabh Kundra, not ignoring even an iota of emotion from anyone around him and here is it was his Madhu getting emotional.
Madhu was obviously crazy in imagining the kids as their, RK calmed her down asking; if she would cry, but the Rishabh in him was mild for her and did not show his ego in any way and made her glow with pride and he did not rationalize or ask her to get back to reality. Though him not showing further emotion was him feeling really awed by her.
When day before she forgetfully packed the suitcase, he naughtily teased her through packing her and thus reminding her to get back on earth from her dream. But today when she slipped into that state, yet again, he could sense her joy and unshed tears. This was like when Madhu made that smiley exercise jokes.
RK and Rishabh traits in him have gone for a lot of change due to Madhu's passion/junoon for him.
Originally posted by zorica
Shridevi,Because you wrote this:
"Today, them both so settled in their love, romance...yes they tease themselves with jokes which they only understand...and so from this vantage, today in the episode, it was once again attraction, passion and falling in love for both of them and more for Madhu."Here it is in full size, see.
http://i48.tinypic.com/2zeie7b.jpg
http://i48.tinypic.com/2zeie7b.jpg
I must admit that today you are especially romantic! 
Originally posted by zorica
Shri
Shri
By apolloartemis
Shri,
This was so good. We forget sometimes that Madhu is just as passionate and just as crazy about RK as RK is about her. And it's nice to reminded of that. I actually thought she was packing for them to leave now that the Shamini drama was over
Madhu and RK are a perfect match. It is so refreshing to see a heroine who is not afraid to show her desire and love for her hero- a rarity in daily soaps.
By Soundarya
Same reason as your post..was very affected by yesterday's episode, though it was so pleasant and nothing on the surface to cause so much thought!
Originally posted by 0-SD-0
Episode - 184 aired on 1st Feb 2013
Everyday, we see their love for each other, which is falling into place like a very comfortable dress, which we love to wear. But today, they were on fire, the screen was on fire.
Today, them both so settled in their love, romance...yes they tease themselves with jokes which they only understand...and so from this vantage, today in the episode, it was once again attraction, passion and falling in love for both of them and more for Madhu.
face when taunting him and he was poised to do something.
All of this is passionate. Everyday, you cannot be passionate. And I like these natural and logical emotions.
All of this is passionate. Everyday, you cannot be passionate. And I like these natural and logical emotions.
- I do like the natural emotions. Which is why I feel this couple has much more passion and chemistry than so many other telly drama couples, However, I was also wondering to myself, why is it that their lack of physical closeness irritates me so much, this should be enough, na I guess the lame hugs and missed kisses are so annoying, because it is a natural progression, and it is not progressing, how can RK stay away from her?? She is not hesitant at all, he is the one who has tied himself up.
I guess the lame hugs and missed kisses are so annoying, because it is a natural progression, and it is not progressing, how can RK stay away from her?? She is not hesitant at all, he is the one who has tied himself up. - It definitely means a challenge for him...a sense of responsibilty towards fulfilment of love coming up...and not just materialistic comforts of life for his wife.
While the 4 pheras all mean the peripherals of marriages and what it means to the spouses, the last three pheras are about the core of the marriage for the two people who are getting married. And definitely CVs are getting the idea of playing passion with regards to last three pheras without having them take those three.
Just for a refresher course on saat pheras
The vows taken in each phera are as below:
- With the first phera, the couple invokes the gods for the plenitude of pure and nourishing food and a life that is noble and respectful.
- With the second phera the couple prays for physical and mental strength and to lead a healthy and peaceful life.
- The third phera is taken for the fulfilment of spiritual obligations. The gods are invoked for blessing the couple with spiritual strength.
- The fourth phera is taken for the attainment of happiness and harmony through mutual love and trust and a long joyous life together.
- The fifth phera is taken to pray for the welfare of all living entities in the entire universe and for begetting noble children.
- The sixth phera is for bountiful seasons all over the world. The couple prays for bountiful seasons and seeks that they may go through these seasons together, just as they would share their joys and sorrows.
- With the last phera they pray for a life of understanding, loyalty, unity and companionship not only for themselves but also for the peace of the universe.
No comments:
Post a Comment