RK-Madhu ki natkhat bhari baat-cheet cell phone par, Padmini ka Daraouna Sapna Balraj Jallad ko lekar, Roma chali BSC Producer pata lagao Mission par AUR Balraj tayyar hua Dulha bankar Apni Biwi ke Shaadi mein jaane
Events of the Episode
- Cute missing you and hence vexing you conversation between RK and Madhu. Must watch scene for excellent dialogues between the two (ofcourse RK speaks and Madhu reacts. Dialogue writer Raghuvir Shekhawat)
- Padmini has a nightmare that Balraj has come back to avenge himself. She dreams of him killing Shamsher, herself and finally going to kill Madhu. She wakes up in panic. Madhu provides solace to her mother's tensed nerves at that premonition.
- Roma, sets off to find out BSC producer, reaches Ratna Studios, the office of BSC Productions and there to her shock, sees Balraj Singh Choudhary. He is dressed as the bridegroom and his men tell Roma that he is getting ready to attend his wife's wedding. Roma is stumped...To be continued tomorrow.
Episode Reviews
By Myself
Wow!!!! Wonderful episode. I enjoyed every second of it.
A rated episode.
Beautiful. I feel so satisfied that my heart is full and I have no words.
The conversation between Shauhar-Biwi will take the honours today from me, because rarely I like the romantic scenes between them. But today that conversation apart from each other took all the performance STRESS away from for the Crew and the actors. The dialogue writer was natural, VD and DD were natural and screenplay was smooth with not much editing fess-ups. Its sad that for the audience, they keep showing stupid hugs that do not mean a thing, but here the attitudes and the talk, that was so much subtlety and fun to watch. As characters today, RK came out a "vexed hubby at his own good acts" but was so naturally expressing everything like a child to his Biwi and with all that attitude. And Madhu was so patient with him giving the bland answers that may have so appealed to her Shauhar. Now this one ...after a long long time was a nice scene with good dialogues and that too without any reason. As in most of the time RK and Madhu have romantic scenes as part of plot requirement to make a progress in the story, like the "sapno ka aashiana" scene which was good. Today's scene was not a dramatic progression requirement, it was a staple scene that needed to be there. And inspite of it being a staple requitement like cereal, yet the crew (writing and shooting and actors) did not mess up the scene. They gave their 100% to it.
The dream...It was an Action Thriller for Me. I enjoyed every minute of the dream. And like all action thrillers, it needs to be watched. Words can never justify action scenes. So I shall stop.
And finally Roma has found out about Balraj. She reached Ratna Studios and wants to meet BSC Producer. And Balraj is all dressed up as the Dulha. She has been able to see Balraj and she is standing there all stumped at the revelation. Seems she is on the verge of being caught and locked up somewhere in the dungeons.
Precap...Oh! I can't wait for tomorrow's drama. Padmini is looking so beautiful as the Dulhan.
Enjoy the episode peeps!!!! Fultoo entertainment.
By Munni_123
Where do we see such a convo between a hubby and wife? I loved it and VD,DD rocked the scene.
For me this is real romantic and dialogue writer.
Paisa vasool episode. Get ready for the real action.
Madhubala ek ishq ek junoon is bollywood in tellywood.
By MarathiMulgi
Yesterday we witnessed Trishna's fear of being found out and today it is Padmini's turn. The very real fear of coming face to face with Ballu again is presented to her in her dreams by her subconscious mind. Interesting and strange how human mind works. Makes us face our fears when we are least prepared. Poor woman is devastated in the dream thinking Malik is dead and Ballu has caught hold of Madhu.
Padmini wakes up and goes out in the chawl angan and Madhu happens to wake up and follow her. Padmini relays her dream and her fears to Madhu and Madhu as usual says ha abhi sab kuch thik hoga waigaira. She just sweeps Padmini's fears under the carpet so to speak. Not her fault since she does not really know or has any experience about Ballu kya cheese hai. I so wish it was Trishna who woke up and had this convo with Padmini. Then it would indeed have felt realistic, scene would have had some weightage to it. Trishna could at least have acknowledged this fear in a real sense and consoled her saying ki 'Ma tum ghabrao mat. Woh abhi wapa aye to Madhu ko bachane ke liye ab hamare sath Malik aur RK hain". Such an emotionally charged scene, I feel enough justice was not done to convey the seriousness of it.
By Tanu
Padmini's dream was elaborate and scary. The scene she woke up from the nightmare and kissed her daughters was beautiful. Then she walked out to ensure even Malik was fine… when she closed the door and headed out, I expected her to sit by Malik. And they have a meaningful conversation especially with just few hours to go for their wedding. But that wasn't to happen. They showcased Malik-Padmini's relationship brilliantly till their confession… after that the couple haven't even had a proper conversation. Even the wedding is from RK-Madhu, Trishna and Roma's perspective and not the couple's. I am disappointed because every like most of the love stories even Malik-Padmini's story headed nowhere after their confession. I hope I don't have to say the same about the protagonists atleast.
Ballu is going to dominate the story for a week or so. No doubt RZ is fantastic actor… but Ballu's dialect and the jarring background music seems to hamper the clarity of Ballu's dialogues. I didn't understand a word he said today except for 'no bak bak'. Frankly not looking forward to recreation of sholay.
By Zoya
It was a very entertaining episode with the right mix of breeziness, suspense, drama and action.
RK-Madhu scene: It has to be the scene of the day. RK was just being his difficult self and irritated with himself for sending her away and hence showing out his frustration to his biwi who indulged him in his meaningless banter. He did not rest till he bhadkaoed her and got to hear her sherni voice... The dialogues, expressions, everything was just superb...
Nightmare: It was an equally good scene but prolly the fact that I knew it was just a nightmare stole the thunder away from the scene. But Padmini's fear, expressions were well-elaborated and PP was fantastic in that scene. Finally she checks on both her daughters n Malik and lands up at the staircase where Madhu consoles her. Madhu provides her the much needed strength by chanting the "Hauslon se veer" chant.
I am quite confused with Madhu's expressions at the end of the scene. Did she actually think of the balraj she saw ?
Roma's CIDgiri bears fruit and she lands up at Ballu's place to witness Ballu who is getting ready for his chaudrain's marriage with sehra, ghoda and complete baaraat comprised of gundas... She stands perplexed at the sight in front of her...
But was finding about Trish's suspicious producer important on the auspicious day of her bro's marriage?
Precap: Complete popcorn entertainment and we can gear up for full-on action sequences for the next 2-3 episodes...
By Leela
Loved the RK-Madhu scene. Performance, dialogue, reactions, everything - perfect.
The Balraj-in-Padmini's-nightmare scene, I was thoroughly distracted from Raj Zutshi's excellent acting and the spot-on reactions of everyone else by the three women repeatedly doing near-synchronized screams.
The Padmini-Madhu scene was very well-etched.
Roma's focus on finding out the identity of Trishna's producer is admirable, but prioritizng it over her brother's wedding was hard to believe. Anyway, it acted as catalyst to ensure that she saw Balraj.
By Bhakti
I too liked the first scenes with the lovely nok-jhok pati patni ke beech (love the way Shri has called this scene as a drama staple - like cereal! ) RK reminds me so of a little boy who is just beginning to understand the scope of what he can get away with in terms of romantic play. And the dinosaur walla lines! So cute. I know I have sometimes complained that the romantic scenes get a bit too chasni-jaisi-mithi, but it does not strike me as at all odd that a couple would choose to look at the moon as a way of being together. This is actually quite a common thought in India - even Sri Ram and Sitaji have done this! It seems a lovely thought; it doesn't remove your longing, but at least you feel someone (chandrama) understands and is shining the same light on your beloved.
So many have mentioned Roma (Leela also commented that it is strange she would be jasoosing all over the place while it is about to be the shaadi of her brother) I just love her character right now. Even with her family obligations, she smells a rat and is chasing it down like a protective girl-on-a-mission. Sometimes, even when the baraat is coming down the street and the shenai is wailing away, if you feel your family is in danger you are still going to keep that thought foremost in your mind - I think that is Roma right now. I wonder if Ballu will notice her?
Well, I guess action shuru ho gaya - this Ballu is a skin-crawl-inducing madman and Padmini seems to scent him on the wind. This is the sort of plotline which has dismayingly and repeatedly proved to me what an incredible wimp and coward I am. I know these are the most exciting parts of any action-filled drama, but i usually can only watch them through my fingers while I am curled up in a self-protective ball. (My poor husband has spent two or three entire films in cinema halls where I have buried my face in his shoulder and refused to come out for half the film! (Maybe I should introduce him to RK's dhobiwalla - the one who recommends tears for shirt-laundering. My husband could also benefit from this very economical system!)
Knowing you all will be watching too will give me himmat to keep on - I will look so forward to reading all your analyses!
By Myself
@Ballu's dialogues. Even I had a problem listening to the first part of his dialogue delivery thru Shamsher. At first I thought my speakers were bad. Then I recalled the SBS video that I watched this morning and pieced that Raj Zutshi is not clear himself. Its just that in the scenes today, he was too passionate in his anger where he was mincing words...like it happens in real. Look at his quivering lips. I could understand all the dialogues...like Saand, bak-bak and all...it was good. I should say he was too good for TV soap. His kind of acting and dialogue delivery today needs absolute eerie silence like he can get in movies. Anyways, as RZ's days are numbered, let's enjoy him as an actor with caliber.
@episode scenesAnd last but not least, like the way some of you had hawk-eye for details/bloopers/puzzling expressions inspite of the entertaining episode; lets add another one...though this shouldn't count at all in my eyes...In dream sequence, they had Madhu, Padmini and Trishna sleeping in this order whereas when Padmini wakes up, they had the order changed.
Another scene I liked was, when Padmini says she will sleep on the floor, both the daughters in chorus say No. And how Padmini was taking Roma's name for help. When she was coming out of the Apt, I though she was coming down to Roma for consolation as she is her best friend...but she sat on the stairs instead and our heroine had to be the consoling one. Feel terrible that all soaps and movies make the heroine shoulder so much responsibility. And here we are thinking that Trishna or Roma would have suited better to console Padmini. Seriously why waste actors and characters when they fit the bill. Why just make the hero and heroine so MAHAAN for everything. Sigh!!!
Pictorial Commentary - Zorica
Originally posted by zorica
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Originally posted by zorica
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